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Breadpilled on scored.co
18 hours ago2 points(+0/-0/+2Score on mirror)1 child
Here's something I don't understand:
Why has the slop gotten so fucking sloppy? It's the same jews making this garbage that were making all the beloved cinema hits that are now being put through the remake grinder. Propaganda aside, many of them were legitimately good films (which is why they were so effective as propaganda.)
What happened? Did jews just forget how to make good movies? Did they get lazy? Did they run out of ideas? It's bizarre.
15 hours ago2 points(+0/-0/+2Score on mirror)2 children
> Why has the slop gotten so fucking sloppy?
This is a good question. I'd assume this: There was a jewish push for racial and gender equality for many decades, but it was at a low degree (~2/10). Low enough that it didn't ruin the movies, and that female and nigger characters were sometimes even good - or if not, didn't cause too much damage to it.
Over time their ideology became more intense, and their internal demand to push that propaganda increased as well. They wanted more of it and more extreme versions. They turned it up to 4/10. Here the smart nigger tropes, strong wahmen tropes, feckless White guy tropes came into play. It was the era at which younger people turned away from television and were able to be more selective about what they watched.
Now we are at ~6/10: Blatant strong wahmen for the sake of it, strong nigger wahmen, faggotry, niggers everywhere, niggerwashing historical movies, boring plots, superhero slop. This is where wokeness became a solidified term - before it was just a dislike of "modern television." It is inevitable and normalized how they sprinkle in niggers and brownoids everywhere in everything. With that they also sought to rewrite historical movies for the sake of demoralization primarily (Helen of Detroit - plus the past ~6 years), pushing their ideology secondarily.
As the intensity of their ideological push increased, the quality of their products decreased, the things became more and more blatant ideological propaganda, thus cringe and hated. They cannot just go back and turn down the ideological intensity - their peers are in a state of group-think where it is expected from them to increase it, or at least maintain it as it last was. Whoever goes back on the scale will be villainized as an evil right-winger (like that Harry Potter woman who mildly rejects trannies), but in general they're all pushing forward with a glee. To ruin something from us, from our history, is a virtue to them.
So expect terrible James Bond movies with him being a faggot side character while a niggress is the strong main character. Or Helen of Detroit with a woman ("tranny") as the hero. In FIFA expect MORE nigger sweat than you've ever seen before. Terminator 2 remastered, but it's a female nigger robot and the antagonist is a White nu-male, and it's not about John Reece, but some nigger-faggot instead because muh' timelines.
Good new movies are impossible under these circumstances. It's not about movies being good - to them the quality is how woke it is, how we hate it, and as a low priority how well it sells. It cannot fail because it's all paid by jewish billionaires anyway.
One good thing about the rise of AI is that it will essentially cause the democratization of movies as based fans pump out non-woke movies or faithful adaptations of good books. There will be a near limitless ocean of slop but there will be some good nuggets that rise to the top as the AI tools get better.
What will come in between are unofficial copies of movies with the wokeness purged out (fixed race swaps, removal of woke lines, etc) and they'll actually be preferable to the real thing. Like a mandatory mod for modern games to remove tranny flags and such.
The era of billion dollar woke movies from Hollywood being the only source of adaptations and reboots is coming to an end very quickly. DEI policies are nothing but a fresh cancer on an already dying business model.
5 hours ago2 points(+0/-0/+2Score on mirror)1 child
Lol that's pretty damn poetic if it's the cultural restrictions that White society used to have in place that directly led to old jewish films being better. Back when they weren't allowed to go full degenerate, it forced them to work way harder to mask the drip feed.
I think, on top of that, a big part was White talent. Sure, Schlomo ran the studios and the execs were all his relatives, but you did get Whites who were passionate about what could be done with film, from writers and actors to sound and lighting techs, not to mention editors.
Once they dropped the mask and became explicitely anti-White, the good ones left. Now the have only the losers and the genuinely insane and can't make a good movie to save their lives.
Why has the slop gotten so fucking sloppy? It's the same jews making this garbage that were making all the beloved cinema hits that are now being put through the remake grinder. Propaganda aside, many of them were legitimately good films (which is why they were so effective as propaganda.)
What happened? Did jews just forget how to make good movies? Did they get lazy? Did they run out of ideas? It's bizarre.
This is a good question. I'd assume this: There was a jewish push for racial and gender equality for many decades, but it was at a low degree (~2/10). Low enough that it didn't ruin the movies, and that female and nigger characters were sometimes even good - or if not, didn't cause too much damage to it.
Over time their ideology became more intense, and their internal demand to push that propaganda increased as well. They wanted more of it and more extreme versions. They turned it up to 4/10. Here the smart nigger tropes, strong wahmen tropes, feckless White guy tropes came into play. It was the era at which younger people turned away from television and were able to be more selective about what they watched.
Now we are at ~6/10: Blatant strong wahmen for the sake of it, strong nigger wahmen, faggotry, niggers everywhere, niggerwashing historical movies, boring plots, superhero slop. This is where wokeness became a solidified term - before it was just a dislike of "modern television." It is inevitable and normalized how they sprinkle in niggers and brownoids everywhere in everything. With that they also sought to rewrite historical movies for the sake of demoralization primarily (Helen of Detroit - plus the past ~6 years), pushing their ideology secondarily.
As the intensity of their ideological push increased, the quality of their products decreased, the things became more and more blatant ideological propaganda, thus cringe and hated. They cannot just go back and turn down the ideological intensity - their peers are in a state of group-think where it is expected from them to increase it, or at least maintain it as it last was. Whoever goes back on the scale will be villainized as an evil right-winger (like that Harry Potter woman who mildly rejects trannies), but in general they're all pushing forward with a glee. To ruin something from us, from our history, is a virtue to them.
So expect terrible James Bond movies with him being a faggot side character while a niggress is the strong main character. Or Helen of Detroit with a woman ("tranny") as the hero. In FIFA expect MORE nigger sweat than you've ever seen before. Terminator 2 remastered, but it's a female nigger robot and the antagonist is a White nu-male, and it's not about John Reece, but some nigger-faggot instead because muh' timelines.
Good new movies are impossible under these circumstances. It's not about movies being good - to them the quality is how woke it is, how we hate it, and as a low priority how well it sells. It cannot fail because it's all paid by jewish billionaires anyway.
What will come in between are unofficial copies of movies with the wokeness purged out (fixed race swaps, removal of woke lines, etc) and they'll actually be preferable to the real thing. Like a mandatory mod for modern games to remove tranny flags and such.
The era of billion dollar woke movies from Hollywood being the only source of adaptations and reboots is coming to an end very quickly. DEI policies are nothing but a fresh cancer on an already dying business model.
Once they dropped the mask and became explicitely anti-White, the good ones left. Now the have only the losers and the genuinely insane and can't make a good movie to save their lives.