Consume Product

Good points.

I loved He-Man as a kid. I'm almost 50 years old. You think I want to watch He-Man now? No. I want a scotch.

I'm an older millennial and He-Man was still a thing when I was pretty young. But you're right, it's been out of the social zeitgeist for years. The only He-Man thing was that "I'm tripping balls" meme from like 15-20 years ago now, lol.

The "nostalgia" is starting to burn out. Mostly because it reminds people how relatively optimistic and prosperous the 80's and 90's felt, lol

They already had 2 He-Man series and a She-Ra, and of course they fagged and feministed up those.

I loved it as a kid. Haven’t watched it in a long time. I remember ing loving that, and the beast master.

The question is the answer.

> Why has the slop gotten so fucking sloppy?

This is a good question. I'd assume this: There was a jewish push for racial and gender equality for many decades, but it was at a low degree (~2/10). Low enough that it didn't ruin the movies, and that female and nigger characters were sometimes even good - or if not, didn't cause too much damage to it.

Over time their ideology became more intense, and their internal demand to push that propaganda increased as well. They wanted more of it and more extreme versions. They turned it up to 4/10. Here the smart nigger tropes, strong wahmen tropes, feckless White guy tropes came into play. It was the era at which younger people turned away from television and were able to be more selective about what they watched.

Now we are at ~6/10: Blatant strong wahmen for the sake of it, strong nigger wahmen, faggotry, niggers everywhere, niggerwashing historical movies, boring plots, superhero slop. This is where wokeness became a solidified term - before it was just a dislike of "modern television." It is inevitable and normalized how they sprinkle in niggers and brownoids everywhere in everything. With that they also sought to rewrite historical movies for the sake of demoralization primarily (Helen of Detroit - plus the past ~6 years), pushing their ideology secondarily.

As the intensity of their ideological push increased, the quality of their products decreased, the things became more and more blatant ideological propaganda, thus cringe and hated. They cannot just go back and turn down the ideological intensity - their peers are in a state of group-think where it is expected from them to increase it, or at least maintain it as it last was. Whoever goes back on the scale will be villainized as an evil right-winger (like that Harry Potter woman who mildly rejects trannies), but in general they're all pushing forward with a glee. To ruin something from us, from our history, is a virtue to them.

So expect terrible James Bond movies with him being a faggot side character while a niggress is the strong main character. Or Helen of Detroit with a woman ("tranny") as the hero. In FIFA expect MORE nigger sweat than you've ever seen before. Terminator 2 remastered, but it's a female nigger robot and the antagonist is a White nu-male, and it's not about John Reece, but some nigger-faggot instead because muh' timelines.

Good new movies are impossible under these circumstances. It's not about movies being good - to them the quality is how woke it is, how we hate it, and as a low priority how well it sells. It cannot fail because it's all paid by jewish billionaires anyway.