lol
(twitter.com)
I think most people who watch these 3 films (Matrix, Reloaded, Revolutions) don't quite get the whole picture. The 4th film doesn't count and is a retconned, tranny jew ass fantasy in order to ruin previous art.
Now, these movies were written by the wachowski brothers who have since went trans retard. They are jews. This is known.
The original trilogy is their way of trivializing God and rejecting his gifts... just like jews. They try to justify this through lofty themes and heavy handed story/character writing, in order to demonize the matrix (heaven) and champion the mud world (hell/existence).
As an example, look how they choose to portray reincarnation, or staying within the firmament: *"Watched them liquify the dead so they could be fed intravenously to the living..."*
Lovely.
However, you cannot tell these stories without all the pieces. Because they are using allegory and biblical themes, they have to follow certain markers and character archetypes. Them trying to do this while being jewish, generates all the clues you can follow throughout the movies. They have to tilt their hand to tell the story.
As an example, most people inside the matrix are White, the NPC's I mean. Most of the shots in zion are of niggerspawn and half breeds.
The Architects chamber is completely White, he himself being White. Contrasted by the core of zion, which is a cave pit with lava, browns. Hell.
Architect is White, tries to give humanity the perfect existence. Oracle is nigger, encourages everyone to disobey.
The Matrix is supposed to represent Heaven, and the machines are just cruel Gods that don't understand humanity and will be easily tricked by killing chickens in specific ways (Hacking).
(((They))) view the "awoken" as greater than Gods, who exist outside of Gods gifts, just to spite him. "Haha we did it without your shit!"
You could also watch the movies from the perspective that the matrix is jewish control, and the absolute insane obstacle course you have to traverse to understand and escape it all.
Or you could take it at surface level and just watch for the dumb slo mo and car chases, which is how most people watch them I think.
But the truth of the matter, is that these films are a lot more full than they are empty. They play around with big ideas, often covertly, in order to make the surface level of black spandex and machine guns palatable.
There are lots of clues into how (((they))) view their religion, God and humanity as a whole, once you understand all the characters and themes they're playing around with.
I found it fascinating viewing these movies through the lenses I just described, because it's like a deconstructed puzzle you have to put back together. They left enough clues to follow, (jews must flaunt) for those of us who understand the real issues, and gave the normies an R rated slow mo bullet fest.
I have also found great success in spring boarding jewish noticing with these 3 films as a backdrop. The big ideas and lofty concepts are presented without the jewish programming. For certain people, it lets them get a handle on what's happening without being caught up in the cultural/mental land mines.
I'm also eerily reminded about how jews divulge their insidious plans beforehand, so they can say "Nuh uhhh! We told you we were going to do it!" as some sleight of hand way to relieve their conscious.
Multiple levels. Multiple levels. For those who enjoy film and never gave these much of a glance, I'd highly recommend another watch.
Now, these movies were written by the wachowski brothers who have since went trans retard. They are jews. This is known.
The original trilogy is their way of trivializing God and rejecting his gifts... just like jews. They try to justify this through lofty themes and heavy handed story/character writing, in order to demonize the matrix (heaven) and champion the mud world (hell/existence).
As an example, look how they choose to portray reincarnation, or staying within the firmament: *"Watched them liquify the dead so they could be fed intravenously to the living..."*
Lovely.
However, you cannot tell these stories without all the pieces. Because they are using allegory and biblical themes, they have to follow certain markers and character archetypes. Them trying to do this while being jewish, generates all the clues you can follow throughout the movies. They have to tilt their hand to tell the story.
As an example, most people inside the matrix are White, the NPC's I mean. Most of the shots in zion are of niggerspawn and half breeds.
The Architects chamber is completely White, he himself being White. Contrasted by the core of zion, which is a cave pit with lava, browns. Hell.
Architect is White, tries to give humanity the perfect existence. Oracle is nigger, encourages everyone to disobey.
The Matrix is supposed to represent Heaven, and the machines are just cruel Gods that don't understand humanity and will be easily tricked by killing chickens in specific ways (Hacking).
(((They))) view the "awoken" as greater than Gods, who exist outside of Gods gifts, just to spite him. "Haha we did it without your shit!"
You could also watch the movies from the perspective that the matrix is jewish control, and the absolute insane obstacle course you have to traverse to understand and escape it all.
Or you could take it at surface level and just watch for the dumb slo mo and car chases, which is how most people watch them I think.
But the truth of the matter, is that these films are a lot more full than they are empty. They play around with big ideas, often covertly, in order to make the surface level of black spandex and machine guns palatable.
There are lots of clues into how (((they))) view their religion, God and humanity as a whole, once you understand all the characters and themes they're playing around with.
I found it fascinating viewing these movies through the lenses I just described, because it's like a deconstructed puzzle you have to put back together. They left enough clues to follow, (jews must flaunt) for those of us who understand the real issues, and gave the normies an R rated slow mo bullet fest.
I have also found great success in spring boarding jewish noticing with these 3 films as a backdrop. The big ideas and lofty concepts are presented without the jewish programming. For certain people, it lets them get a handle on what's happening without being caught up in the cultural/mental land mines.
I'm also eerily reminded about how jews divulge their insidious plans beforehand, so they can say "Nuh uhhh! We told you we were going to do it!" as some sleight of hand way to relieve their conscious.
Multiple levels. Multiple levels. For those who enjoy film and never gave these much of a glance, I'd highly recommend another watch.
