Consume Product

"The people who own the studios won't give it up"

Honestly, that’s the least of it. You have to produce something that whites, who still make up the majority of the country if you don’t count illegals, and their anchor babies, actually want to see. Niggers talk a big game about supporting nigger businesses, but the reality is they don’t, and really can’t in any large numbers unless you start accepting food stamps, or let them steal it which of course defeats the purpose. Lmfao.

I think it’s more about I made this film for my kike masters to brainwash, and indoctrinate more white, but it’s not working as well anymore.

They don’t. What they’re really mad at is that whites aren’t showing up to be brainwashed nearly as much anymore. This is another one of the great unintended consequences of kikevid19 they didn’t plan for. Almost everyone I know who still went to the movies regularly finally took the plunge and did a home theater setup during, and/or after kikevid19. I helped two families budget, and build theirs. Both of them have told me numerous times they will never touch foot in a theater again. I’ve also set them up where they can get everything for an incredibly “cheap” price.

Yes, but it's more insidious than that. If you do watch it, I think the subtext will be obvious.

Two nigger brothers who stole a truckload of liquor from the Irish and Italian gangs of Chicago go back south to open their own black-only bar. They're having a good time with their stolen booze until, as usual, some White devils come along to ruin their fun. Of course, every time a black man gets a good thing going, some honky White devil gotta come along a ruin it, right? Of course!

The niggers are shown in an elaborate (and very well-made) sequence dancing and jiving in complete harmony. Part of the theme is that black music is "magic" that connects generations of blacks to each other. All the generations of blacks are seen dancing together in spirit ... UNTIL the race-traitor nigger invites a White women -- the infection, the virus -- into the "body" of the all-black community.

As you know, vampires can't enter unless they're invited. That brother is bitten by the White woman and he's condemned to walk the Earth with her -- disconnected from his ancestors. This is a subtle way of saying he's tainted and no longer tied to his nigger roots.

Meanwhile, the other brother -- the race-loyal brother who reunites with his black love interest -- dies fighting the White vampires, but upon dying, is reunited with his ancestors. He died, but he "won" because he gets to live on with his people; the other brother got the White woman he desired (Hailee Steinfeld), but he's condemned to wander the Earth with her, isolated from his people.

The racial subtext is right there, screaming at you, and yet so many normies that I speak to about it genuinely DO NOT see it!