Well you've come to the right place. Just observe the posts and you'll get plenty of examples why Whites are justified in wanting their own nations again
New here?
Create an account to submit posts, participate in discussions and chat with people.
You must log in or sign up to comment
9 comments:
The International Jew, Turner Diaries, Camp of Saints, works of Lee Kwan Yew, An Essay on the Inequality of the Human Races, Frederick the Greats writing on philosophy, maybe Luther's On the Jews and Their Lies, Treatise on the Origin of Language, Common Sense, maybe Pavels Croatian State Program...
Visiting any urban area should do. Not even being sarcastic. It is one thing to watch videos of it, but if you can manage to brainstorm while surrounded by the aroma of piss and threat of nigger attack then youre bound to find something to jot down.
Well, how would I write a story like that...
In order to convince people of the value of race, I'd show them how other races operate. I'd implement characters that can convey critical information - something like pajeets taking over sections of government and corporate while being borderline retarded on average. It would come up in lengthy monologues.
The main character could go through a transformation, starting from a moderate ("non-racist") position and then learning to know things. He'd be skeptical and resist what is told to him, but ultimately facts, experience and his personal observations align with it.
One core essence is to show that actually all races are in combat with each other - but more like a cold war. The niggers take welfare money, and as long as they are fed by the White men, they do not get *too violent* (even though it's extreme as it is). The jews scam, hoax, bribe, kill in order to keep and gain power undeservedly - they run shit now due to competency, but viciousness and in-group preference.
Also show the benefits from White people grouping up. The changes it would cause, which may be unbelievable for today's standards. Simple things like being able to leave your bike outside without a lock, neighbors caring for each other, all the wives in a street being pregnant and/or having children.
And the only thing that deviates the main character from other people is him noticing. He notices things more than others.
Of course you can also go the fictional path. I personally prefer the route of the main character changing in his views, to turn into something he originally considered evil.
In order to convince people of the value of race, I'd show them how other races operate. I'd implement characters that can convey critical information - something like pajeets taking over sections of government and corporate while being borderline retarded on average. It would come up in lengthy monologues.
The main character could go through a transformation, starting from a moderate ("non-racist") position and then learning to know things. He'd be skeptical and resist what is told to him, but ultimately facts, experience and his personal observations align with it.
One core essence is to show that actually all races are in combat with each other - but more like a cold war. The niggers take welfare money, and as long as they are fed by the White men, they do not get *too violent* (even though it's extreme as it is). The jews scam, hoax, bribe, kill in order to keep and gain power undeservedly - they run shit now due to competency, but viciousness and in-group preference.
Also show the benefits from White people grouping up. The changes it would cause, which may be unbelievable for today's standards. Simple things like being able to leave your bike outside without a lock, neighbors caring for each other, all the wives in a street being pregnant and/or having children.
And the only thing that deviates the main character from other people is him noticing. He notices things more than others.
Of course you can also go the fictional path. I personally prefer the route of the main character changing in his views, to turn into something he originally considered evil.
Don't spend too much time filling your head with other people's ideas. The pen has to meet paper sooner rather than later
Toast message
Unironically, the most successful way to do what you're considering is to do *exactly* what the jews do, but swap their subliminal messaging for your own.
You need humor. You need lovable characters. You need a whole world and story that stands on its own and knocks the reader's socks off without ever needing to draw attention to the moral underneath it. At no point should anyone encountering your work ever have the slightest inkling that this is "right wing fiction." Up front, they should think they're encountering just another fantasy novel by a new indie author. Or whatever genre you're writing in. Like they're taking medicine slipped into a spoonful of sugar, the reader should absorb your moral messaging without ever being consciously aware that they have done so, even after the fact.
You accomplish this through subtlety. Think of what you want to idealize, what you want to demonize, and translate it into plausibly deniable fictional language. And it *must* be plausibly deniable. The second you get even the tiniest bit ham-fisted, you lose.
Don't say shit about jews. But give your villain a comically large nose and a comically small hat. Don't say shit about Hitler or include any Nazi-coded imagery. But depict homogeneity broadly as the ideal. Make the ethnostates look like a paradise that the reader would want to live inside rather than a dystopia. Make the bad guy's camp the diversity shithole. Show characters getting along because they are the same, and conflict arising from other groups because they are different. Take what Hollywood does with these themes and invert the presentation.
Don't be afraid to take leftist-coded characters and themes and present them as charismatic on the surface. You just don't endorse them. Subtly position them as "wrong" without making a mockery out of them. jews do this constantly to *tremendous* success with characters like Eric Cartman. If you're willing to depict your enemies charitably rather than as caricatures, you obtain tremendous power to define them in the eyes of your audience.
A good recent example of a work that did this (whether intentionally or not) is the anime Frieren. As far as anyone can tell going in, it's just magic elf girl shonen fantasy where she fights demons or something. But the right wing messaging is in what the show does with this premise. It utterly rejects the notion of moral relativity and "likable villains." Demons are depicted as creatures so intrinsically, ontologically evil that the only solution to them is total genocide. Even when they can speak and impersonate humans well enough to *pretend* at having morality, it's all a facade intended to deceive humans into dropping their guard. That one simple idea is Nazi to the core, and it initially flew under the radar because it was wrapped in weeb shit.
However, bear in mind that there are (((media literate))) leftoids who are actively seeking these themes out whenever new media arises, specifically so they can rally witch hunts against them. This happened to Frieren for this one aspect of the show despite it containing zero explicit right wing dog whistles. You should consider this an inevitability if you ever make something that gets popular enough (though literature is more niche than visual media and therefore easier to operate inside of covertly.) But if you do have the flying monkeys come out in full force against you, then there's a good chance your work is already succeeding at its intended goal.
people always want to be similar to the things they like, so your goal first and foremost is to make a novel people can like - the messaging comes second, and must be intensely subtle to the point where it's just "the good guy protagonists happen to be pro-message, the bad guy antagonists happen to be anti-message" and not much else. sometimes you can push this Deus Ex style, but it has to be with topics even the common man can agree with like wages being low and taxes being high, never something so attacked by Agent Smiths like racialism.