Niggers cry that "White Hollywood" is holding them back; refuse to name the jews holding them back
(www.contrabandcamp.com)
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Two nigger brothers who stole a truckload of liquor from the Irish and Italian gangs of Chicago go back south to open their own black-only bar. They're having a good time with their stolen booze until, as usual, some White devils come along to ruin their fun. Of course, every time a black man gets a good thing going, some honky White devil gotta come along a ruin it, right? Of course!
The niggers are shown in an elaborate (and very well-made) sequence dancing and jiving in complete harmony. Part of the theme is that black music is "magic" that connects generations of blacks to each other. All the generations of blacks are seen dancing together in spirit ... UNTIL the race-traitor nigger invites a White women -- the infection, the virus -- into the "body" of the all-black community.
As you know, vampires can't enter unless they're invited. That brother is bitten by the White woman and he's condemned to walk the Earth with her -- disconnected from his ancestors. This is a subtle way of saying he's tainted and no longer tied to his nigger roots.
Meanwhile, the other brother -- the race-loyal brother who reunites with his black love interest -- dies fighting the White vampires, but upon dying, is reunited with his ancestors. He died, but he "won" because he gets to live on with his people; the other brother got the White woman he desired (Hailee Steinfeld), but he's condemned to wander the Earth with her, isolated from his people.
The racial subtext is right there, screaming at you, and yet so many normies that I speak to about it genuinely DO NOT see it!