I just had an epiphany. Hollywood movies used to portray how normal people think, feel and act very well before they went full crazy. This means that Jews are very well aware to be degenerate perverts and that normal people despise them.
This means the Jews are scared of normal people, and will do everything is possible to boycott or even kill normal people.
Anybody else want to elaborate on this?
You are viewing a single comment's thread. View all
4
wristaction on scored.co
1 year ago4 points(+0/-0/+4Score on mirror)
I guess all I could say is that Hollywood has never been about reflecting the culture and has always been about enticing people into a darkened room and manipulating them psychologically with talmudic distortions of morality.
Throughout the Cold War, we were given an endless stream of "One Man Armed With His Truth Against The System" antihero narratives. It's possible to confuse this for some kind of White-coded Rugged Individualism meme, but it was only ever meant to soften public opinion toward domestic Communist traitors. The audience is always expected to side with the outsider protagonist on principle despite not sympathizing with his cause. A good example of this is the "Kids from the wrong side of the tracks rally to save the community center from the greedy (white, paternal) developers" trope, in which one of the antagonists inevitably breaks ranks with his fellow villains and speaks a line like "I may not agree with what these kids are fighting for, but I have to respect their determination". In fact, social struggles depicted in Hollywood narratives always resolve to white characters turning their backs on white people.
Throughout the Cold War, we were given an endless stream of "One Man Armed With His Truth Against The System" antihero narratives. It's possible to confuse this for some kind of White-coded Rugged Individualism meme, but it was only ever meant to soften public opinion toward domestic Communist traitors. The audience is always expected to side with the outsider protagonist on principle despite not sympathizing with his cause. A good example of this is the "Kids from the wrong side of the tracks rally to save the community center from the greedy (white, paternal) developers" trope, in which one of the antagonists inevitably breaks ranks with his fellow villains and speaks a line like "I may not agree with what these kids are fighting for, but I have to respect their determination". In fact, social struggles depicted in Hollywood narratives always resolve to white characters turning their backs on white people.