For example, I listen to "The Tale of Cu Chulainn" by Miracle of Sound. https://www.youtube.com/watch?v=XqyEADY_20Y I like it as it is, but if I've got it in my head on the road, I think of stuff like,
"And the great jew culling was sung of loud that night,
in a tale of hanging heebs and gassing kikes,
and the great jew culling, so furious and wild,
shall remain in myth and memory a lesson to gentiles!"
You are viewing a single comment's thread. View all
7
TallestSkil on scored.co
9 months ago7 points(+0/-0/+7Score on mirror)3 children
I honestly do this all the time. There’s nothing redeeming about any modern music, so it may as well be repurposed.
# [Feel It Still](https://www.youtube.com/watch?v=41EdzOsd0Zo)
>Can’t keep my thoughts to myself
>Think I’ll spread ‘em ‘round, my people need all the help
>I’m sick and tired of just watching us bleed
>Ethnostates are to be made real
>CHORUS
>Sieg Heil, we’re all Nazis–you and me–now
>And we’re feeling like it’s 1933, now
> Taking back our homes; won’t go the way of Rome
> And when the Saxon begins to hate, now
> We’re gonna make it just like 1938, now
> Learn from their mistakes; this train has no brakes
>~:~
> Got too many mouths to feed
> Shut the borders, kick them out, and shoot to kill to restore clout
> Don’t want diversity
> Ethnostates are to be made real
>CHORUS
> We will fight a war for peace
>(Sieg Heil, we’re all Nazis–you and me–now)
> Giving into complacency
> Made us give up all our dreams
> Now we won’t feed or clothe our enemies
> Waving goodbye as we build a wall
>(Sieg Heil, we’re all Nazis–you and me–now)
> It’s time to make the future ourselves
> Kids: three per family; we’ll stop the genocide
> Jews bother me
> Race war’s coming
> Race war’s coming
> Race war’s coming
> Race war’s coming
> Race war’s coming
> Race war’s coming soon
> Sieg Heil, we’re all Nazis–you and me–and
> Our love for our white nations is the force that makes us free now
> Say goodbye to jews, ‘cause with them you lose
> Sieg Heil, we’re all Nazis–you and me–now
> And we’re feeling like it’s 1933, now
> Taking back our homes; won’t go the way of Rome
> And when the Saxon begins to hate, now
> We’re gonna make it just like 1938, now
> Learn from their mistakes; this train has no brakes
> Jews have had their fill; now they’ll write their will
EDIT: Okay, fuck it. There’s no way to make single spaced concurrent lines, so fuck me, I guess. I’m not changing the formatting now.
8 months ago1 point(+0/-0/+1Score on mirror)1 child
>There’s nothing redeeming about any modern music
Perhaps we should collaborate on making some original songs together some time, once I'm finished with this symphony. I've never bothered with original lyrics in my music because I'm not very good at that aspect, personally. I've also never tried my hand at verse-chorus form either lol, but that I think I can manage.
I loathe “verse chorus verse chorus bridge verse outro” format. As a kid it just felt repetitive. Now I feel like I’m being actively brainwashed by it—conditioning the brain to expect patterns and structure. I love when a song violates it or ignores it all together.
Lol I've always thought the word "outro" was weird too. There's already a term for it that's existed for centuries: coda. Which reminds me of another trend I've also hated since I was a child: songs that fade out instead of having a proper ending. It's so lazy.
>Now I feel like I’m being actively brainwashed by it—**conditioning the brain to expect patterns and structure.**
Well, in fairness, this could be argued about any form, really. I don't see an inherent problem with patterns and structure, in the same way one structures a novel. It really comes down to *how* it's utilized, and not all forms are the same in that regard either. For example, one of my favorite forms is Sonata form. While it started off [more basic](https://upload.wikimedia.org/wikipedia/commons/thumb/7/70/Sonata_form_two-reprise_continuous_ternary_form.png/1920px-Sonata_form_two-reprise_continuous_ternary_form.png), it was greatly expanded on throughout the eras and became something so much bigger. It's a testament to the ingenuity of the various European cultures, particularly German culture.
Just listen to these two pieces:
https://www.youtube.com/watch?v=oy2zDJPIgwc
https://www.youtube.com/watch?v=cRNOXEnFbrM
These are both in Sonata form, created a century apart. It's amazing how much it evolved and grew in that time frame, thanks to the efforts of great white minds.
That is precisely what's lacking in today's verse-chorus garbage. No growth or evolution. Just stagnation and decay. Because it's all produced by jews, of course.
But, all that aside, it sounds like you're interested in doing something more akin to through-composition, which is also something I've never really tried before. That's a much more interesting challenge.
>I do still look forward to your symphony, too.
Thanks man, that means a lot. I'm unofficially racing you to see if I can get it out before your book lol. Which reminds me. I previously expressed interest to you about making a physical copy of your book when you publish it, though I only had a B&W laser printer. I now currently have access to a color laser printer and plenty of extra toner. If my situation doesn't change between now and then I would be more than happy to produce a physical copy for you. The questions that remain for me are what type of paper to go with and how much a binding service would be for that many pages...
# [Feel It Still](https://www.youtube.com/watch?v=41EdzOsd0Zo)
>Can’t keep my thoughts to myself
>Think I’ll spread ‘em ‘round, my people need all the help
>I’m sick and tired of just watching us bleed
>Ethnostates are to be made real
>CHORUS
>Sieg Heil, we’re all Nazis–you and me–now
>And we’re feeling like it’s 1933, now
> Taking back our homes; won’t go the way of Rome
> And when the Saxon begins to hate, now
> We’re gonna make it just like 1938, now
> Learn from their mistakes; this train has no brakes
>~:~
> Got too many mouths to feed
> Shut the borders, kick them out, and shoot to kill to restore clout
> Don’t want diversity
> Ethnostates are to be made real
>CHORUS
> We will fight a war for peace
>(Sieg Heil, we’re all Nazis–you and me–now)
> Giving into complacency
> Made us give up all our dreams
> Now we won’t feed or clothe our enemies
> Waving goodbye as we build a wall
>(Sieg Heil, we’re all Nazis–you and me–now)
> It’s time to make the future ourselves
> Kids: three per family; we’ll stop the genocide
> Jews bother me
> Race war’s coming
> Race war’s coming
> Race war’s coming
> Race war’s coming
> Race war’s coming
> Race war’s coming soon
> Sieg Heil, we’re all Nazis–you and me–and
> Our love for our white nations is the force that makes us free now
> Say goodbye to jews, ‘cause with them you lose
> Sieg Heil, we’re all Nazis–you and me–now
> And we’re feeling like it’s 1933, now
> Taking back our homes; won’t go the way of Rome
> And when the Saxon begins to hate, now
> We’re gonna make it just like 1938, now
> Learn from their mistakes; this train has no brakes
> Jews have had their fill; now they’ll write their will
EDIT: Okay, fuck it. There’s no way to make single spaced concurrent lines, so fuck me, I guess. I’m not changing the formatting now.
Perhaps we should collaborate on making some original songs together some time, once I'm finished with this symphony. I've never bothered with original lyrics in my music because I'm not very good at that aspect, personally. I've also never tried my hand at verse-chorus form either lol, but that I think I can manage.
I do still look forward to your symphony, too.
Lol I've always thought the word "outro" was weird too. There's already a term for it that's existed for centuries: coda. Which reminds me of another trend I've also hated since I was a child: songs that fade out instead of having a proper ending. It's so lazy.
>Now I feel like I’m being actively brainwashed by it—**conditioning the brain to expect patterns and structure.**
Well, in fairness, this could be argued about any form, really. I don't see an inherent problem with patterns and structure, in the same way one structures a novel. It really comes down to *how* it's utilized, and not all forms are the same in that regard either. For example, one of my favorite forms is Sonata form. While it started off [more basic](https://upload.wikimedia.org/wikipedia/commons/thumb/7/70/Sonata_form_two-reprise_continuous_ternary_form.png/1920px-Sonata_form_two-reprise_continuous_ternary_form.png), it was greatly expanded on throughout the eras and became something so much bigger. It's a testament to the ingenuity of the various European cultures, particularly German culture.
Just listen to these two pieces:
https://www.youtube.com/watch?v=oy2zDJPIgwc
https://www.youtube.com/watch?v=cRNOXEnFbrM
These are both in Sonata form, created a century apart. It's amazing how much it evolved and grew in that time frame, thanks to the efforts of great white minds.
That is precisely what's lacking in today's verse-chorus garbage. No growth or evolution. Just stagnation and decay. Because it's all produced by jews, of course.
But, all that aside, it sounds like you're interested in doing something more akin to through-composition, which is also something I've never really tried before. That's a much more interesting challenge.
>I do still look forward to your symphony, too.
Thanks man, that means a lot. I'm unofficially racing you to see if I can get it out before your book lol. Which reminds me. I previously expressed interest to you about making a physical copy of your book when you publish it, though I only had a B&W laser printer. I now currently have access to a color laser printer and plenty of extra toner. If my situation doesn't change between now and then I would be more than happy to produce a physical copy for you. The questions that remain for me are what type of paper to go with and how much a binding service would be for that many pages...