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WeedleTLiar on scored.co
3 days ago3 points(+0/-0/+3Score on mirror)1 child
I actually have a bit of a theory on this.
Hollywood has always been Jewed, from the very beginning, we know that. But for decades it was (relatively) harmless to or even supportive of White culture while, currently, it's definitely not.
We also know that evil cannot create, it can only corrupt, therefore Jews cannot be creating these ideas, ideas that are almost universally popular. At the same time, Jews excel at "psychology", the art of manipulation and trickery, above all else.
What if they're simply creating reflections of the super-ego and subtly injecting their own agenda?
In the 30s and 40s we were going through fairly brutal hardships and Hollywood created silly and absurd fantasies that took us out of our worries. The 50s and 60s moved towards monsters that we would defeat, alleviating our fear of our powerful geopolitical enemies. The 70s and 80s further justified Western exceptionalism and affirmed our superiority with the birth of the action movie. The 90s and 00s began to question this superiority, and from 2010 onward movies began actively hating us.
What if these movies aren't directing cultural changes but feeding on them? They don't chose to make bad movies today, they simply *can't* make good movies because the culture they're basing them on is too sick. That's why the same directors and producers who created classics in the 80s can only turn out slop today; the culture they're feeding on is slop.
They're parasites (as usual) but better Jew media means the culture they're parasitizing is healthier.
3 days ago2 points(+0/-0/+2Score on mirror)2 children
> They don't chose to make bad movies today, they simply can't make good movies because the culture they're basing them on is too sick. That's why the same directors and producers who created classics in the 80s can only turn out slop today; the culture they're feeding on is slop. They're parasites (as usual) but better Jew media means the culture they're parasitizing is healthier.
Possibly. However, one of the Marvel producers recently said "We've done our bit for king and country, now it's time to get back to making money." They dumped all the diversity hires for *Avengers: Doomsday* and brought back all the White actors. Chris Evans is back as Captain America, and he's a father fighting to protect his child. Thor isn't a drunk clown anymore; he's a dad fighting for his child. They're actually respecting their audience -- MEN -- and appealing to what matters to them.
The studios knew what they were doing before, and they know it isn't profitable. Now that WB is getting sold to Netflix, everyone is trying to prove themselves by the profitability of their projects. There's no more "free money" to push any agendas. The "vibe" in Pedowood right now appears to be that you need to start being profitable to keep your seat at the table. "Give the straight White goys what they want!"
>They're actually respecting their audience -- MEN -- and appealing to what matters to them.
Too, late, they already let us know what they think of us... is what I'd like to say. Too bad normie retards can't remember that far back and will be fooled by the pandering and pay to get to slurp up the newest capeslop.
Hollywood has always been Jewed, from the very beginning, we know that. But for decades it was (relatively) harmless to or even supportive of White culture while, currently, it's definitely not.
We also know that evil cannot create, it can only corrupt, therefore Jews cannot be creating these ideas, ideas that are almost universally popular. At the same time, Jews excel at "psychology", the art of manipulation and trickery, above all else.
What if they're simply creating reflections of the super-ego and subtly injecting their own agenda?
In the 30s and 40s we were going through fairly brutal hardships and Hollywood created silly and absurd fantasies that took us out of our worries. The 50s and 60s moved towards monsters that we would defeat, alleviating our fear of our powerful geopolitical enemies. The 70s and 80s further justified Western exceptionalism and affirmed our superiority with the birth of the action movie. The 90s and 00s began to question this superiority, and from 2010 onward movies began actively hating us.
What if these movies aren't directing cultural changes but feeding on them? They don't chose to make bad movies today, they simply *can't* make good movies because the culture they're basing them on is too sick. That's why the same directors and producers who created classics in the 80s can only turn out slop today; the culture they're feeding on is slop.
They're parasites (as usual) but better Jew media means the culture they're parasitizing is healthier.
Possibly. However, one of the Marvel producers recently said "We've done our bit for king and country, now it's time to get back to making money." They dumped all the diversity hires for *Avengers: Doomsday* and brought back all the White actors. Chris Evans is back as Captain America, and he's a father fighting to protect his child. Thor isn't a drunk clown anymore; he's a dad fighting for his child. They're actually respecting their audience -- MEN -- and appealing to what matters to them.
The studios knew what they were doing before, and they know it isn't profitable. Now that WB is getting sold to Netflix, everyone is trying to prove themselves by the profitability of their projects. There's no more "free money" to push any agendas. The "vibe" in Pedowood right now appears to be that you need to start being profitable to keep your seat at the table. "Give the straight White goys what they want!"
Too, late, they already let us know what they think of us... is what I'd like to say. Too bad normie retards can't remember that far back and will be fooled by the pandering and pay to get to slurp up the newest capeslop.