For example, I listen to "The Tale of Cu Chulainn" by Miracle of Sound. https://www.youtube.com/watch?v=XqyEADY_20Y I like it as it is, but if I've got it in my head on the road, I think of stuff like,
"And the great jew culling was sung of loud that night,
in a tale of hanging heebs and gassing kikes,
and the great jew culling, so furious and wild,
shall remain in myth and memory a lesson to gentiles!"
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TallestSkil on scored.co
1 year ago0 points(+0/-0)1 child
I loathe “verse chorus verse chorus bridge verse outro” format. As a kid it just felt repetitive. Now I feel like I’m being actively brainwashed by it—conditioning the brain to expect patterns and structure. I love when a song violates it or ignores it all together.
Lol I've always thought the word "outro" was weird too. There's already a term for it that's existed for centuries: coda. Which reminds me of another trend I've also hated since I was a child: songs that fade out instead of having a proper ending. It's so lazy.
>Now I feel like I’m being actively brainwashed by it—**conditioning the brain to expect patterns and structure.**
Well, in fairness, this could be argued about any form, really. I don't see an inherent problem with patterns and structure, in the same way one structures a novel. It really comes down to *how* it's utilized, and not all forms are the same in that regard either. For example, one of my favorite forms is Sonata form. While it started off [more basic](https://upload.wikimedia.org/wikipedia/commons/thumb/7/70/Sonata_form_two-reprise_continuous_ternary_form.png/1920px-Sonata_form_two-reprise_continuous_ternary_form.png), it was greatly expanded on throughout the eras and became something so much bigger. It's a testament to the ingenuity of the various European cultures, particularly German culture.
Just listen to these two pieces:
https://www.youtube.com/watch?v=oy2zDJPIgwc
https://www.youtube.com/watch?v=cRNOXEnFbrM
These are both in Sonata form, created a century apart. It's amazing how much it evolved and grew in that time frame, thanks to the efforts of great white minds.
That is precisely what's lacking in today's verse-chorus garbage. No growth or evolution. Just stagnation and decay. Because it's all produced by jews, of course.
But, all that aside, it sounds like you're interested in doing something more akin to through-composition, which is also something I've never really tried before. That's a much more interesting challenge.
>I do still look forward to your symphony, too.
Thanks man, that means a lot. I'm unofficially racing you to see if I can get it out before your book lol. Which reminds me. I previously expressed interest to you about making a physical copy of your book when you publish it, though I only had a B&W laser printer. I now currently have access to a color laser printer and plenty of extra toner. If my situation doesn't change between now and then I would be more than happy to produce a physical copy for you. The questions that remain for me are what type of paper to go with and how much a binding service would be for that many pages...
I do still look forward to your symphony, too.
Lol I've always thought the word "outro" was weird too. There's already a term for it that's existed for centuries: coda. Which reminds me of another trend I've also hated since I was a child: songs that fade out instead of having a proper ending. It's so lazy.
>Now I feel like I’m being actively brainwashed by it—**conditioning the brain to expect patterns and structure.**
Well, in fairness, this could be argued about any form, really. I don't see an inherent problem with patterns and structure, in the same way one structures a novel. It really comes down to *how* it's utilized, and not all forms are the same in that regard either. For example, one of my favorite forms is Sonata form. While it started off [more basic](https://upload.wikimedia.org/wikipedia/commons/thumb/7/70/Sonata_form_two-reprise_continuous_ternary_form.png/1920px-Sonata_form_two-reprise_continuous_ternary_form.png), it was greatly expanded on throughout the eras and became something so much bigger. It's a testament to the ingenuity of the various European cultures, particularly German culture.
Just listen to these two pieces:
https://www.youtube.com/watch?v=oy2zDJPIgwc
https://www.youtube.com/watch?v=cRNOXEnFbrM
These are both in Sonata form, created a century apart. It's amazing how much it evolved and grew in that time frame, thanks to the efforts of great white minds.
That is precisely what's lacking in today's verse-chorus garbage. No growth or evolution. Just stagnation and decay. Because it's all produced by jews, of course.
But, all that aside, it sounds like you're interested in doing something more akin to through-composition, which is also something I've never really tried before. That's a much more interesting challenge.
>I do still look forward to your symphony, too.
Thanks man, that means a lot. I'm unofficially racing you to see if I can get it out before your book lol. Which reminds me. I previously expressed interest to you about making a physical copy of your book when you publish it, though I only had a B&W laser printer. I now currently have access to a color laser printer and plenty of extra toner. If my situation doesn't change between now and then I would be more than happy to produce a physical copy for you. The questions that remain for me are what type of paper to go with and how much a binding service would be for that many pages...